Industry representatives underscored the social and health benefits of comedy, highlighting its positive impact on wellbeing and community cohesion despite ongoing financial struggles.

Cheka and other panelists acknowledged systemic issues of inequality, misogyny, and racism within the comedy industry, calling for greater cultural diversity and attention to harassment.

Panelists discussed the importance of building an audience through podcasts and social media, acknowledging that while these platforms are valuable, they cannot replace the live comedy experience.

Concerns were raised about the potential impact of AI on comedy, particularly regarding intellectual property theft and the authenticity of live performances.

During a Commons committee meeting on April 29, 2025, comedians urged the UK government to ensure equal access to public funding for the comedy industry, similar to support provided for other art forms.

Panelists highlighted the financial pressures comedians face, as rising costs threaten the viability of comedy venues and performances.

Toomey from the Frog and Bucket comedy club noted a significant increase in operational costs, including electricity, which has led to higher ticket prices and decreased profitability.

Forde described the Edinburgh Fringe as financially burdensome, contributing to an elitist atmosphere that makes it challenging for new talent to enter the industry.

Forde criticized broadcasters for being overly cautious in commissioning bold, satirical comedy, while expressing optimism for diversity in upcoming programs like the UK version of Saturday Night Live.

Kate Cheka advocated for government support to help comedians invest in their careers, referencing successful practices in France and Germany that ensure living wages for artists.

The discussion included the idea of a voluntary levy in comedy, similar to that in music, to support grassroots development, with MPs suggesting the industry could self-initiate such measures.

Geoff Rowe, founder of the Leicester Comedy Festival, emphasized that the lack of recognition of comedy as a serious art form hinders its funding prospects.