Oscars Transition to YouTube in 2029 for Global, Interactive Experience

September 26, 2026
Oscars Transition to YouTube in 2029 for Global, Interactive Experience
  • The Oscars are moving to YouTube in 2029 as a strategic shift to reach a global, younger, and more diverse audience, while preserving the ceremony’s television roots.

  • AMPAS CEO frames the move as necessary for future growth, not a risk, and highlights ongoing discussions with YouTube leadership about interactive viewing and engagement tools.

  • The announcement comes during the 22nd Zurich Film Festival, where Kramer outlined the Academy’s evolving distribution strategy.

  • The YouTube deal will extend beyond the ceremony to extensive related content, including red carpet coverage, behind-the-scenes material, nominations announcements, Governors Awards, and Academy programs and interviews.

  • The shift aims to enable more interactive and deeply engaging ways to watch, with continuous collaboration with YouTube on format and engagement features.

  • The 2029 move is framed within a broader strategy of platform experimentation, including potential implications for venues and streaming partners, as audiences increasingly consume content online.

  • The deal seeks to build on the Academy’s revenue model, which generated around $150 million in 2024–2025 from TV rights, by expanding reach on YouTube.

  • The push comes amid a ratings dip for the 2026 Oscars on ABC and Hulu, underscoring the need to diversify distribution beyond traditional broadcast.

  • Kramer asserts the Oscars are fundamentally a television show and should be accessible on YouTube in multiple languages to maximize reach and engagement.

  • The partnership with Disney will continue for two more years, with ongoing talks with YouTube CEO Neal Mohan to deliver a more interactive Oscars experience.

  • The Academy plans a 2029 transition to YouTube with a “different-looking” ceremony that preserves the event’s appeal while embracing the platform.

  • Kramer and panelists described the transition as a response to changing media consumption, aiming to align with broader trends and the potential return of theatrical interest in a new digital era.

Summary based on 2 sources


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