An upcoming CBS Mornings interview with Gayle King will further explore her legacy, achievements, and future plans.

Misty Copeland, the trailblazing African American principal dancer at the American Ballet Theatre (ABT), is retiring after a distinguished career marked by breaking racial barriers and advocating for diversity in ballet.

Her farewell performance was a highly anticipated event, celebrating her artistry and impact, with tickets sold out and a free simulcast at Alice Tully Hall, marking her return to the stage after a five-year hiatus.

During the event, she wore two striking outfits—an elegant Carolina Herrera gown for the red carpet and a glamorous blazer dress for the dinner—highlighting her fashion versatility.

Her final performance included a heartfelt moment with her three-year-old son, Jackson, symbolizing her legacy and personal journey, as she reflected on her career and expressed gratitude for her platform.

Though retiring from performing with ABT, Misty clarified she is not retiring from dance entirely but plans to focus on mentoring, new projects, and her advocacy work through the Misty Copeland Foundation, emphasizing this as a new beginning.

She has been a vocal advocate for diversity, founding the Misty Copeland Foundation in 2021 to promote accessibility and equity in ballet, with programs inspiring young dancers across backgrounds.

Her influence has inspired many, including young aspiring dancers like 10-year-old Kennedy Johnson, who traveled early to witness her farewell, reflecting her role as a role model and catalyst for change.

Her departure from ABT raises concerns about the future of diversity in ballet, as she highlighted the ongoing lack of Black women in principal roles at major companies, despite her efforts to increase representation.

Her career milestones include her role in 'Firebird' as a soloist and her promotion to principal dancer in 2015, after joining ABT in 2001 and becoming a soloist in 2007.

Her farewell will be honored at a star-studded Fall Gala featuring performances of 'Romeo and Juliet,' 'Sinatra Suite,' and a world premiere choreographed by Kyle Abraham, with a free live simulcast to increase accessibility.

Looking ahead, Misty plans to continue her involvement in ballet and arts advocacy through her foundation and production company, believing her journey is a transition rather than an end.