Shanghai Film Festival Launches Kering Women In Motion Forum, Celebrates Rising Female Voices in Cinema

June 15, 2025
Shanghai Film Festival Launches Kering Women In Motion Forum, Celebrates Rising Female Voices in Cinema
  • On June 15, 2025, the Shanghai International Film Festival hosted its inaugural Kering Women In Motion Forum, focusing on women's contributions to cinema.

  • The event featured discussions among international filmmakers, including the voice actor of 'Ne Zha', who highlighted the challenges and achievements of women in the film industry.

  • Luiza Mariani reported on the rise of women directors in Brazil, noting an increase from 2% in the 1970s to 15% today, while sharing her journey in making her film 'Cyclone'.

  • Liang Jing discussed the emergence of female directors in male-dominated genres, previewing her upcoming film 'Dongji Rescue' that emphasizes women's resilience.

  • Lyu Yanting shared insights from the animation industry, advocating for more complex female roles beyond traditional stereotypes.

  • Kiran Rao reflected on the universal nature of women's stories, citing the success of her films 'Dangal' and 'Secret Superstar' in China due to shared struggles.

  • Panelists emphasized the importance of representation and inclusivity in filmmaking, particularly for women directors and creators.

  • The panel addressed the issue of work-life balance, highlighting the unique challenges women face in the film industry compared to their male counterparts.

  • The forum served as a platform for networking and collaboration among female filmmakers from various regions.

  • Discussions also touched upon the evolving landscape of cinema and the increasing recognition of women's voices in storytelling.

  • This year marks significant anniversaries: 120 years of Chinese cinema and 130 years of world cinema, as noted by moderator Andrew Liang.

  • The panel featured prominent figures such as Lyu Yanting, Luiza Mariani, Kiran Rao, and Liang Jing, showcasing diverse global perspectives on women's cinema.

Summary based on 2 sources


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