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The cast will feature young protagonists in their twenties, underscoring themes of growth, rites of passage, and coming-of-age.

The production emphasizes growth and identity through these young characters, aligning with a coming-of-age arc.

Macmillan and Cooke describe a new dawn shadowed by the traditional tournament intrigue, signaling political maneuvering and looming conflict.

The Royal Shakespeare Company has announced the world premiere of Game of Thrones: The Mad King, a stage play adapted by Duncan Macmillan from George R. R. Martin’s novels, directed by Dominic Cooke, set before the events of the books.

The production is a major co-presentation with partners including Warner Bros. Theatre Ventures, HBO, Access Entertainment, and others, with tickets going on sale in April.

The plot centers on a lavish Harrenhal tournament where shifting alliances and dissent against the Mad King drive a web of intrigue involving Targaryen, Stark, Lannister, Baratheon, and Martell figures.

The official blurb teases themes of family bonds, prophecies, and a dangerous power struggle, while posing the question of who will survive and rise.

Lyanna Stark is highlighted as a pivotal driver of the broader narrative and a bridge to the origins of Westeros’ ongoing conflicts.

Director Cooke aims to make the show accessible to both longtime fans and newcomers, delivering a contained yet richly lore-filled experience.

Casting is underway, with Lyanna’s role prioritized and anticipated to feature a rising star; two key roles have already been offered.

The project fits into broader RSC strategy of drawing in new audiences with popular franchises while managing budget considerations.