UK's First National Illustration Centre Opens, Celebrating Storytelling and Art Through Illustration

June 1, 2026
UK's First National Illustration Centre Opens, Celebrating Storytelling and Art Through Illustration
  • A national centre for illustration is being established to celebrate illustration as a vital form of communication and storytelling, addressing its historical overlooking in public art spaces.

  • Centre director Lindsey Glen stresses that illustration is a fundamental human communicative tool and the centre aims to inspire visitors to engage with and potentially create their own illustrations.

  • Ahmad emphasizes that visitors should see everyday illustrations in new ways and feel empowered to tell their own stories through drawing, collage, or digital media.

  • The opening program features Murugiah’s Ever Feel Like, drawing on Sri Lankan heritage and Welsh upbringing, alongside Queer as Comics, the UK’s first major exhibition on queer comic-making from the 1940s to the present.

  • Queer as Comics is highlighted as the first major UK exhibition on queer comic-making from the 1940s to today, complemented by Murugiah’s solo show reflecting heritage and upbringing.

  • The inaugural exhibition, Performance, will showcase over 100 original and rarely seen drawings, highlighting Blake’s theatrical influences and illustrations linked to Beckett’s Waiting for Godot and The Enormous Crocodile.

  • Another opening exhibit will present early drawings for The Enormous Crocodile, marking Blake’s first Dahl book illustration and illustrating his long career.

  • Performance will include a Laurence Olivier caricature from 1957 and other pieces that demonstrate Blake’s approach to storytelling through illustration.

  • The Quentin Blake Centre for Illustration opens in Clerkenwell as the UK’s first permanent space dedicated to illustration, evolving from the House of Illustration and housing Blake’s 40,000-drawing archive.

  • The centre’s opening signals a rising recognition of illustration as a central art form in British culture, with a large archive and ongoing exhibitions.

  • The move to Clerkenwell follows two decades of planning, establishing the centre as a long-term home for illustration.

  • Quentin Blake’s daily drawing practice continues, with the centre aiming to showcase both beloved and lesser-known works from his 80-year career.

Summary based on 7 sources


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