Colm Summers has taken the helm as the new artistic director of the Working Theater in New York, an organization dedicated to producing theater for and about working people.

He succeeded Laura Carbonell Monarque last September and continues to work as a freelance director.

Summers describes his first year in this role as both challenging and fulfilling, believing the theater is at a critical juncture.

Working Theater's unique mission focuses on telling stories about working-class life while engaging workers and labor unions.

Despite the increasing interest in labor-related plays, Summers notes that recent Broadway productions have failed to adequately address the complexities of workers' lives and labor systems.

He acknowledges the underrepresentation of labor plays in American theater, even with notable playwrights tackling these important issues.

Summers emphasizes the need for diverse voices and perspectives in theater, advocating for a broad definition of 'worker' in artistic contexts.

He highlights the importance of accessibility in theater, contrasting it with the elitism often associated with Broadway audiences.

Making theater affordable and inclusive is crucial for ensuring it remains a relevant and vibrant art form.

Looking ahead, Summers expresses optimism about the future of labor-focused theater and its potential to reflect the realities of working people.

Working Theater's programming includes community engagement initiatives, such as play development that addresses local labor issues.

Summers points out the growing interest in labor-related plays, despite systemic challenges in supporting playwrights and productions.