The Hills of California, a new play by Jez Butterworth, recently opened at Broadway's Broadhurst Theatre, exploring themes of sisterly bonds, fame, and maternal betrayal.

Directed by Sam Mendes, the narrative follows the Webb sisters as they return to their childhood home in Blackpool to care for their dying mother, Veronica.

The story spans from the 1950s to 1976, depicting the sisters' evolution from a girl group to their emotional reunion at Veronica's deathbed.

Joan, who moved to California, is absent for much of the play, creating intrigue until her dramatic entrance in Act III shifts the tone.

Critics have praised Laura Donnelly for her commanding performance, particularly in her dual role as both Joan and their mother, Veronica.

The final act reveals a traumatic event that significantly impacts the sisters, prompting varied interpretations and discussions among audiences.

Music plays a crucial role in the play, serving as both a refuge and a means of potential independence for the Webbs.

Flashbacks throughout the play reveal the family's resilience and humor, contrasting their vibrant past with their current struggles in a declining seaside town.

The play's rich domestic drama highlights women's limited choices and societal challenges, contrasting with Butterworth's previous works.

While the performances are highly praised, some critiques focus on the writing being too subtle, lacking depth in exploring sisterly rivalries and past traumas.

Running nearly three hours, the play is noted for its emotional depth and storytelling, without feeling overly long.

Sound designer Nick Powell enhances the immersive experience with coastal soundscapes, complementing the play's themes of memory and nostalgia.