Taylor Mac's play 'Prosperous Fools' critiques wealthy philanthropists and the moral implications of cultural philanthropy within a satirical setting at a not-for-profit dance company's gala.

The narrative explores the uncomfortable dynamics between artists and their wealthy benefactors, using humor and slapstick elements to address serious themes of wealth and power dynamics.

Mac hopes to inspire audiences to reflect on their own roles and solutions in tackling the issues of wealth and philanthropy.

Under the direction of Darko Tresnjak, the performance balances humor and seriousness, enhancing the chaotic yet insightful narrative.

With a career spanning 30 years, Mac draws from his experiences as both a cater-waiter and a celebrated artist, providing unique insights into the challenges faced by artists reliant on donor funding.

The character of the artist in the play expresses frustrations with the philanthropic power dynamics, lamenting the need for a 'good oligarch' while struggling to maintain artistic integrity.

Originally written over a decade ago, 'Prosperous Fools' critiques cultural elitism and reflects Mac's dissatisfaction with how the arts are funded, particularly the lack of representation for marginalized voices.

As the play progresses, it shifts into chaos during the second act, employing physical comedy and heightened absurdity, ultimately prompting the audience to ponder profound questions about art and social structures.

The show concludes with a thought-provoking epilogue instead of a traditional curtain call, compelling the audience to consider the implications of charity on wealth inequality.

Mac emphasizes that philanthropy should be viewed as a temporary solution, advocating for a government that serves the people rather than allowing the wealthy to dictate societal norms.

As a MacArthur 'genius grant' recipient, Mac aims to provoke thought rather than hurt feelings, highlighting the need for systemic change in philanthropy.

Despite the play's critical stance on philanthropy, Mac notes that major financial backers have not engaged with him on the issues raised, reflecting a hesitance to confront uncomfortable truths.