The Obeah Opera, a groundbreaking a cappella musical centered on Afro-Caribbean themes and based on the Salem witch trials, recently concluded its historic run in Barbados, highlighting the story of Tituba, a woman of Barbadian origin who was implicated in the witch trials.

This opera seeks to reclaim erased narratives of women affected by historical injustices, emphasizing the resilience of Caribbean women and their stories.

Supported by Canadian arts organizations, the production served as a cultural bridge between Canada and Barbados, fostering dialogue, pride, and recognition of hidden histories.

The Barbadian community responded with emotional enthusiasm, viewing the performance as a healing act that celebrates Caribbean women's resilience and historical identity.

The production included a culturally significant pilgrimage to heritage sites like the Newton Enslaved Burial Ground, aiming to reconnect with Barbadian roots and ancestral histories.

The opera's vibrant Afro-Caribbean musical traditions and focus on black and Caribbean womanhood created a powerful, spirit-lifting experience that resonated deeply with local audiences and youth.

The Salem witch trials of 1692-1693 involved over 200 accusations of witchcraft, leading to executions and imprisonments, driven by social, religious, and political tensions, which the opera contextualizes within broader colonial fears.