The concert took place at the O2 Academy, with heightened security and a significant police presence outside, reflecting the charged political atmosphere.

Kneecap's concert at the O2 Academy in Scotland was a politically charged event, marked by protests and controversies that overshadowed their musical performance.

The event underscored Kneecap's identity as much as their music, raising questions about how their activism influences their career.

The audience was deeply engaged, chanting and singing in Irish, which demonstrated trust in the band and a potential interest in cultural learning despite language barriers.

Performing energetic rap with Irish influences, the Belfast and Derry-origin band delivered politically charged lyrics and humorous content, blending brutal beats with activism.

Openers Dirty Faces set a confrontational tone with their aggressive 'Rant Hop' style, creating a tense atmosphere before Kneecap took the stage.

Kneecap used their platform to voice political messages supporting Palestine, Irish republicanism, and criticizing UK political figures like Keir Starmer, Kemi Badenoch, and John Swinney.

Their energetic performance, blending Irish and English lyrics, conveyed strong political messages supporting Palestine and criticizing UK government policies.

The band led chants supporting Celtic FC and declared Irish republican beliefs, which elicited mixed reactions from the audience.

Kneecap's recognition has been amplified by controversy, including ongoing court cases and media attention, raising questions about their future prospects.

Protests outside the venue, involving demonstrators and police, highlighted the politically charged environment surrounding the concert.

The concert is seen as a historic moment in Scottish music history, emphasizing its political significance and the complex intersection of art, activism, and censorship.

Throughout the show, Kneecap addressed political issues, including criticizing UK Prime Minister Rishi Sunak and commenting on their exclusion from TRNSMT, framing the event as a protest.